There is debate about the nature of character. Are we born with it or do we develop it? Is it a product of DNA or a product of culture? It is both and this is the conflict that lies at the heart of the internal disconnect. Duality permeates our measure of reality and reality extends beyond what we can measure. We cannot measure it, but we are aware of it. We can expand our consciousness by expanding our awareness and in this expansion of awareness duality converges and unifies into the concept of one. It is foreign to think of our characters as physical attributes, but they are when we see ourselves as dimensional beings.
Grasp a tool in your hand and you do not question the validity of your hand’s existence. Grasp your mind with an emotion and the uncertainty of its invisible nature, leaves you to question the legitimacy of its reality. Just as a hand can slap a face and leave a bruise, our characters slap us with the imprint of our emotions and over the course of time the force of our character draws lines on our faces. A dominant character trait expresses itself as a habitual, instinctual movement that imprints the emotive reaction into a visible line. We may also experience fainter traits that are not dominant, and, in this respect, facial lines are not always permanent. They can also come and go as indicators of the unspoken behind our conscious actions, especially as we are talking.
Emotions are the physical actions of our soul. They are individual and unique in their applications but common in their definitions and repetitive in their forms. We have all felt fear at some time but not all of us have felt the same fear for the same reason at the same time. The lines of character are common, and the most common ones are another set of cues.
| Line | Influence |
| adaptability | adventurous but may be flaky under pressure |
| burdens | goodness equals responsibility overly self-conscious a deeply cut line indicates burnout |
| compassion | emotional traumas heightened emotional states experienced empathetic |
| courage | deep supply of inner strength multiple courage lines indicate confrontational attitudes on tough subjects |
| desire | needs reassurance of own self-worth seeks attention dealing with the ego can be a problem |
| destiny | struggles in self-absorption financial difficulties insecurities |
| domination | self-sacrificing focus is on the details principled purposeful |
| emotion | depth of line equates to depth of experience in dealing with emotions |
| focus | demanding and driven unable to admit weakness or defeat three or more focus lines indicate self-destructive tendencies and emotional evasiveness |
| gambler | positive thinker good natured |
| heart | a philosophical outlook troubles in childhood |
| humor | roguish behavior likes to tease interactive personality |
| indulgence | generous sensuous nature |
| intellect | practical idealism skeptical nature hard to impress |
| intimacy | insecure about deeper feelings parts of self are isolated does not like fussiness |
| luxury | fortunate luck devil may care attitude socially removed |
| peace | ability to administer to the masses caregiver disposition if peace line extends around to back of neck it indicates works of charity and compassion |
| perspective | does not suffer fools fairness is important has an open mind multiple perspective lines indicate self-understanding, self-awareness |
| pirate patch | (wrinkled skin over sternum) lusty behavior, hedonistic attitude |
| plenty | ability to manifest desires gluttony if plenty line extends around to back of neck it indicates a concern with spiritual matters in a concrete way |
| power | achiever high level of self-awareness if power line extends around to back of neck it indicates a concern with the universality of life |
| pressure | enforced discipline concentration intense efforts |
| romance | good sense of humor focus is on emotional wellbeing |
| sincerity | generates a false impression requires a lot of emotional support |
| support | silence is a warning background players excellent manipulators |
| survivor | confidence is based in personal experience able to control themselves in adverse conditions |
| talent | individual lines indicate an expertise in a specific area many broken lines indicate varied interests interdisciplinary attitude depth of line indicates depth of knowledge on subject long solid lines indicate expert knowledge, success in area of expertise |
| talk | able to converse and articulate easily charitable nature |
| wisdom mark | two focus lines connecting with a burden line to form a triangle intellectual wisdom very active astral body |
Face reading is popular online because of the proliferation of pictures. Even a poorly taken image will usually reveal at least one cue. Advanced human machine interfaces are only beginning to explore facial recognition, but our casual body is already a master of it. When we practice the Mukha, we reawaken the instinctive knowledge buried in our primal memories.
A picture uploaded to an online psychic, is scanned quickly for cues to prompt the client with. A speedy analysis is usually enough to get you talking but to gain the insight of personal understanding, this assessment should include a balancing, a thorough calculation of combinations, and plotting to develop the mind map of a full emotional body. Calculation of the cues is mixing the individual cues to determine dominant traits. This establishes personal patterns, and plotting is the calculation of themes within the three profiles. It simplifies the complexities of our sentiments into defined channels of common emotion.
The cues are balanced according to the right and left division of the body. The vibration is split when it enters us, with one stream suppling the physical and the other suppling the casual and casual energies are equal to physical energies. The duality of the discharged energy creates a momentary imbalance and this manifests into determining the right or left-handed sides of our bodies in the Ang Vidya.
The intellect will use the least resistant path to expression so your active hand, the hand you prefer to use, encompasses this distinction when we apply the Ang Vidya to interpret our bodies. The division runs down the centre of your body from the crown of your head to the bottom of your feet and marks the difference between your inner, dimensional worlds of imagination and emotion and the physical realities of the outer world. This does not mean that only one half of your body feels or acts. We see only one body in the third dimension and must imagine the other. The division clarifies this distinction so we may apply the duality of both emotion and action to the one body that we see. The appearance of a cue on only one side instructs you to associate the influences specifically to either your interior world of feeling or to the external world of physical circumstances. A difference in the appearance of the cues between sides indicates a karmic lesson is actively taking place. A karmic lesson is the universe encouraging you to change.
A proper analysis of the Mukha cues is a task that usually involves a few hours. A full Ang Vidya profile can take a few days and although it is a little time consuming, the task is not difficult if you have the full list of cues.
Drawing conclusions from the profiles you construct takes some practice, but before you draw conclusions you need to organize the information collected. No one person embodies all the cues, but each body contains enough of them to evolve profiles into a complex outline of numerous insights.
To organize your profiles and transform them into a practical guide for self-understanding, scan each individual profile for influential combinations. These simplified compilations of the profiles are further condensed into groupings of three called a triad, and they are used to construct a practical pathway for personal change in later parts of the illumination.
The cues in your profiles also serve to introduce terms that are not always flattering, and it can be tempting to overlook or ignore those aspects of our profiles that we do not wish to see. Remember that the knowledge is impersonal and to look at yourself through the profile without bias. A negative inflection of emotion is not a moral judgment, but a reflection of the disorder in the vibrational flow circulating in our physical bodies. Converting this flow into mechanical action and processing the negativity unblocks the flow of our emotions, and opens the closed loops of intellect and imagination.
The Ang Vidya is designed to introduce you to the entity of a distinct body that is whole and separate from our physical bodies. It takes you outside of your head and out from under the control of your intellect, forcing an awareness of your emotional body. A cultivation of awareness that leads towards a wholeness of being depicted as an equilibrium of balance between the two aspects of the duality. Integrating the duality of our two bodies is described by Carl Jung, the noted psychoanalyst, as the integration of the shadow self. To be impersonal about something so personal is to detach from the domination of our physical desires and acknowledge the soul with our intellect. By embracing what is negative in ourselves we embrace the duality and become whole.
Combine and include the negative cues into a summary of adverse influences. By comparing the adverse traits with the other traits, it can be determined if the adverse is being balanced positively and outline areas of our characters that need more awareness and attention.
The following set of cues is from my own Mukha profile and focuses on the area of my left eye. It is trailed by a simplification of those cues into triads. Symmetry, between the left and right division, is noted when it differentiates in equality between the two. An imbalance indicates karmic activity and an area to focus on, when interpreting the profile.
| Cue | Eyebrow starts thick but ends thin. |
| Influence | Visionary abilities and a broad perspective are present. |
| Cue | Eyebrow has a curve. |
| Influence | A people-person. Being practical, pragmatic is present. |
| Cue | Eyelashes are short |
| Influence | Likes to analyze feelings. Impatience is present. |
| Cue | Eye angles up. |
| Influence | Optimistic outlook and seeking inspiration. |
| Cue | Bottom lid has a curve. |
| Influence | A non-judgmental, open, and receptive attitude. |
| Cue | Eyelashes are thin. |
| Influence | A sensitivity or resistance to others demands. |
| Cue | Dark circle under eye. |
| Influence | Secretive about emotional problems and has experienced emotional burdens. |
| Cue | Iris is large. |
| Influence | Experimental nature that responds emotionally. |
| Cue | Wide medial angle. |
| Influence | pronounced empathetic abilities present. |
| Cue | Preceptor is sunken. |
| Influence | Intuition is focused on emotional events. |
| Cue | Skin hangs over eyelid. |
| Influence | Critical nature that can be a killjoy. |
| Cue | Hairs are even throughout the eyebrow. |
| Influence | Intolerant of slow wit and likes details. |
A fortune teller is the poor man’s psychiatrist, and the three traits of my eyebrow grouped together show that I was suited to imparting practical advice after analyzing a client. A focus on emotional events, pronounced empathetic abilities and having a non-judgmental, open mind aligns with this trait. A lack of tolerance for the slow witted and a killjoy nature are areas of my character that need mediation. Overall, the Mukha cues around my left eye are favorably balanced, with only a few negative connotations. There is karmic balance because there is symmetry between the right and left eye in the appearance of the cues, therefore, there is no karmic activity, with respect to the highlighted influences, actively occurring.
The science of physiognomy is a modern version of the ancient Mukha, and the face is the dominant factor when communicating with others in the unspoken. The Mukha cues are the outward expression of the universal language and as the interface of instinctual communication, when we apply our intellect to the revealed patterns, we can decipher the instinctive reactions. As the outward face of the universal language, physiognomy and paralanguage encompass the first profile of Mukha Jyotish. Together they are the interface through which we access the deeper meaning of the Ang Vidya and grow in awareness.
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